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Natural dye-along day 1

April 07, 2020 by Am

Welcome to day 1 of the dye-along, I’m so excited to get started!

Since many of you are completely new to natural dyeing, I thought I’d share a little introduction first. Natural dyes are precisely that, dyes we extract from nature: from flowers, fruit skins, herbs, roots, leaves, bark or insects. Natural dyes have a long history, as they were used exclusively for dyeing cloth up until synthetic dyes were discovered.

Natural dyeing is a slow, multi-step process. We always start with weighing and preparing fiber/fabric, scouring, and mordanting, before we get to dyeing. There are also additional steps involved when dyeing with whole dyestuffs (covered below) and when overdyeing to achieve certain colorways. Today we will cover the following steps.


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Weigh and prepare

Today we are going to prepare all our fiber and fabric for scouring, the first step in the process of dyeing with plants. 

First things first, we need to weigh our fiber/fabric. This step is important, since all subsequent measurements are given in relation to the weight of goods (WOG). If you’re dyeing yarn, you probably know the weight already (from the tag/band). If you don’t know the weight of goods and you don’t have scales on hand, you may have to eyeball this! This is not recommended, especially when dyeing items for sale, as the colors may not properly adhere to the fiber/fabric.  

Note: always weigh goods while still dry. 

It is also recommended to pre-wet fiber/fabric before proceeding with each step of dyeing. I’m embarrassed to admit that I don’t always heed this advice, because I’m not a very patient person. So, if you’re like me, you can just skip this step.


Scour

It is important to scour all fiber/fabric prior to mordanting and dyeing. If too much of the natural lanolin or residue from the manufacturing process is present, the mordant and dye won’t adhere to the material thoroughly and uniformly. Scouring also helps ensure more saturated colors with better colorfastness. 

Protein fiber (all fiber that comes from animals, such as wool and silk)

  • Dissolve 1% of WOG (1g for every 100g of goods) of Orvus paste or mild dishwashing detergent in hot water. If fibers are heavily soiled, like raw wool in the grease, increase this amount.

  • Fill a pot with enough cold water to cover the fiber. Fiber should move freely.

  • Pour the dissolved Orvus paste in the pot and stir. 

  • Add the pre-wet fiber, and slowly bring the water to 180°F, rotating the fibers gently every 10 minutes or so. 

  • Make sure all the fiber remains submerged at all times.

  • Hold at 180°F for 30 minutes.

  • Turn off the heat.

  • If rinsing fiber immediately, rinse in similar temperature water. Otherwise, let fiber cool before transferring. 

  • If the water after scouring is dark yellow or brown, repeat the process until the water is clear. 

  • Make sure all excess scour is rinsed off of the fiber before mordanting.

  • Extract excess water and proceed to mordanting. You may also dry and store scoured fiber/fabrics until ready to mordant.


Cellulose fiber (all plant fibers, such as cotton, linen, hemp)

  • Dissolve 2% of WOG (2g for every 100g of goods) of soda ash in hot water. 

  • Fill a pot with enough cold water to cover the fiber. Fiber should move freely.

  • Pour the dissolved soda ash mixture in the pot and stir. 

  • Add the pre-wet fiber, and slowly bring the water to 180°F, rotating the fibers gently every 10 minutes or so. 

  • Make sure all the fiber remains submerged at all times.

  • Hold at 180°F for 30 minutes.

  • Turn off the heat.

  • If rinsing fiber immediately, rinse in similar temperature water. Otherwise, let fiber cool before transferring. 

  • If the water after scouring is dark yellow or brown, repeat the process until the water is clear. 

  • Make sure all excess scour is rinsed off of the fiber before mordanting.

  • Extract excess water and proceed to mordanting. You can also wash cellulose fibers in the washing machine without any detergent to rinse off the scour. 

  • You may also dry and store scoured fiber/fabrics until ready to mordant.

Note: Handle wool with care, as high temperatures, sudden fluctuation in temperatures, and too much handling can cause it to felt. 

While your fiber/fabric is scouring, proceed to dye extraction.


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Dye extraction

If you are using whole dyestuffs, and in some cases also when using natural dye extracts (walnuts hull extract, for instance), you need to extract the color prior to dyeing. This process itself can take a few days, depending on the dye materials on hand. Therefore, I typically like to do this step in parallel to scouring and mordanting. If you don’t have an additional pot, just wait until your fiber/fabric is done scouring. Note that the steps outlined below are very generalized. Color extraction really varies from dyestuff to dyestuff, so I recommend doing a little bit of research on the materials you’re using.  

  • Fill up a pot with enough water to cover your dye materials.

  • Use a 1:1 ratio of dyestuff to fiber/fabric for deepest shades (i.e. 100g of dyestuff for every 100g of yarn).

  • As a rule of thumb, I like to cook whole dyestuff on low heat, letting the bath heat slowly, and simmer for a long time (1hr+). 

  • Let it cool for about an hour, pour off and store the dye liquid.

  • Using the same dyestuff, repeat this process several times until no more color is extracted. 

If you’re using dye extracts, proceed with the next step. 


A few resources for the steps outlined above:

  • https://botanicalcolors.com/how-to-scour/

  • https://botanicalcolors.com/how-to-dye-with-raw-materials/

  • http://www.box19.ca/maiwa/pdf/Guide_To_Natural_Dyes.pdf


These first steps of natural dyeing may not seem very exciting, but I hope that you had fun regardless! Remember, it is meant to be a slow process, don’t try to rush or circumvent these steps. Instead, take comfort in the simplicity and monotony of the tasks, use those stirring moments to take deep breaths, and trust the process.  

Thanks for joining me, and I’ll see you tomorrow!






April 07, 2020 /Am
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It's dye-along time!

April 04, 2020 by Am

Gather up supplies, it’s dye-along time! 

It’s been a few long weeks, friends. I’ve been doing my best to remain positive, trying to look for the joyful moments and the beauty in such a time of chaos… but, time and time again, I come up short. 

So, I thought we could all use some color and a bit of nature in our lives! 

It was during the first few days of self isolation, in between reading news and feeling utterly hopeless (and useless), that I turned to my dye pots. I had just taken all the dye stuff out of my freezer, and dyeing seemed like the perfect antidote to what’s happening in the world. A meditation of sorts that you can carry throughout your day… and then there’s the magic of creating color! Sometimes predictable, other times completely unexpected, but always extremely satisfying! And then I imagined all of us dyeing along #togetherapart, and how much more amplified that joy could be, as we watch each other experiment and make beautiful things out of our garbage. 

In all honesty, I’ve had this idea for a good two years now, but there was always something holding me back. I wanted it to be perfectly organized, with the most beautiful packaging and illustrations, and instructions… alas, a global pandemic calls for impromptu decisions, and making do with what we have... 

So, here it is! I hope you can join me, and I look forward to seeing all the colors you create! I really hope that, at least during the moments we spend stirring our dye pots or admiring that avocado dyed yarn, we can forget about the world, even for a brief moment!


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Yarn & fabric

My recommendation is that you always use natural fibers. However, there are significant differences even among natural fibers:

  • Protein: All fiber that comes from animals, such as wool and silk. 

  • Cellulose: All plant fiber, such as cotton, linen, hemp.

Protein based fiber takes dyes much better than cellulose. Therefore, the same amount of dye will result in a darker hue on wool than on cotton, for example. Protein and cellulose fibers are also typically mordanted differently. We will cover mordants during the dye-along, but it might be something to consider when gathering materials. 

If you don’t have any undyed yarn or fabric, you can still join in the fun with whatever you can find around the house. Maybe you have some kitchen towels that need a new life, or bed sheets, or curtains, or a white shirt, your baby’s clothes… so long as they’re not synthetic, you’re good to go!

If you happen to have different fiber and fabric on hand, it would also be a lot of fun to experiment and see what the variations in color are!

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Tools & supplies

Note that this is neither an exhaustive nor a necessary list of tools. You can probably find most of these items in your kitchen, but don’t fret if you can’t. You can dye and achieve amazing colors without them, I promise. 

  • Pots

  • Wooden spoons

  • Measuring spoons

  • Measuring cup / container

  • Tongs

  • Scale

  • Cheese cloth / sieve

  • Whisk / old fork

  • Gloves

  • Mask

  • PH strips

If I had to pick two from this list, I’d go with pots (obvious) and tongs (you can use them to stir and to grab). Your pots should ideally be stainless steel. They don’t need to be fancy or expensive. In fact, you should use one you’re not really using in the kitchen anymore. Just note that if you do use pots made of other metals, such as aluminum, they will affect the resulting color (they act as color modifiers). 

If you’re using whole dye stuff (actual plants or food scraps vs dye extracts), and you don’t care about precision, you won’t really need scales, measuring spoons/cups, or a whisk. 

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Dye stuff

Botanical dyeing is a process, with multiple steps involved. In order to achieve the best results, you need to scour and mordant your fiber/fabric before it’s ready for dyeing. However, if you are just dyeing for your own use, or you don’t have some of these ingredients on hand at the moment, don’t worry too much about it. Here’s what you may need:

  • Orvus paste / soda ash / mild dishwashing detergent

  • Aluminum potassium sulfate / Aluminum acetate / tannin / iron / copper

  • Dye extracts / whole dye stuff

Unless you have wool that is very rich in lanolin, any mild dishwashing detergent will do the trick for scouring your fiber. Cellulose fibers are usually scoured using soda ash (not the same as baking soda), but if you don’t have any on hand, just pre-wash your fabric on high heat (you can just boil it in a pot if you don’t have a washing machine at home). 

Mordants are what binds the dye to the fiber/fabric. Having said that, some dyes are very colorfast, and will produce vibrant colors that won’t wash off easily, even without a mordant. These are usually the dye stuff rich in tannin, such as oak galls, pomegranate skins, black tea leaves, rhubarb leaves, etc.

If you don’t have a collection of dye extracts already, here are a few plants and food scraps you can use (without having to leave your home):

  • Onion skins

  • Avocado skins + pits

  • Pomegranate skins

  • Black tea leaves

  • Citrus peel

  • Herbs

  • Carrot tops

  • Turmeric

You can also try and experiment with plants, flowers, or tree bark that you can easily find around you, you never know the results they might yield! And, who knows, we may all learn about a new dye plant!

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Useful resource list

  • Dye supplies and how-to:

    • https://botanicalcolors.com/

    • https://maiwa.com/

    • https://www.dharmatrading.com/

  • Undyed yarn and dye kits:

    • https://www.oystersandpurls.com/

    • https://www.averbforkeepingwarm.com/

    • https://knitcraftandknittery.com/

    • http://www.greenmattersnaturaldyecompany.com/

    • https://www.spinnery.com/

    • http://www.yarnundyed.com/

  • Books et al:

    • The Wild Dyer by Abigail Booth

    • The Modern Natural Dyer by Kristine Vejar

    • Natural Color by Sasha Duerr

    • The Art and Science of Natural Dyes by Joy Boutrup and Catharine Ellis

    • Wild Color by Jenny Dean

    • Harvesting Color by Rebecca Burgess

    • Botanical Color at Your Fingertips by Rebecca Desnos


That’s all for now, friends. Get busy collecting, and we’ll meet here on Wednesday, April 8th for our first official day of the dye-along!

April 04, 2020 /Am
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'Tis The Season!

December 01, 2019 by Am

Gift knitting season is upon us!

Every year I resolve to start gift knitting some time in July, and every year I find myself frantically casting on all the things just weeks before Christmas. Nothing’s different this year. Less than a month to go, and I’m just getting started.

When it comes to gift knitting, I like quick and versatile projects. Accessories are usually my go-to! Before I get started, I spend some time browsing through patterns for inspiration. Trying to find the perfect knitted gifts, and looking for matching yarn, is all part of the fun of gift knitting!

So, today I wanted to share some of my favorites, in case you, like me, are behind on your gift knitting!


Head

Hats are great for gift knitting! Everyone needs a nice, warm hat, and you can never have too many. Plus, as a knitter, I don’t have to worry about fit, since hats are very forgiving in size (unless you’re knitting for someone with either a really large or really small head).

Photo by Pom Pom Quarterly

Photo by Pom Pom Quarterly

I have been obsessed with Ainur Berkimbayeva’s Alatau ever since I laid eyes on it. I am a sucker for twisted stitches, and this one is absolutely stunning! Plus, it’s inspired and named after the landscape of Ainur’s homeland of Kazakhstan, and that really warms my heart. Alatau came out in the most recent issue of Pom Pom Quarterly, and I plan to cast on in our Romney/Merino in the February colorway!

Photo by Laura Chau

Photo by Laura Chau

Photo by Laura Chau

Photo by Laura Chau

Another gorgeous pattern that was just released is the Oleander reversible hat by Laura Chau, featuring all over cables. I would love to knit one in Hudson + West Co’s Forge yarn in the Gold Leaf colorway!

Photo by Mirella Moments

Photo by Mirella Moments

Photo by Jennifer Berg

Photo by Jennifer Berg

Headbands also make great gift knitting projects: quick to knit, super cute, and they only use up a third of a skein of yarn! I really like this classic twisted version (free pattern on Ravelry), and it would be so warm and squishy in our Alpaca/Corriedale.

I also love love love this colorwork version by Jennifer Berg. It seems like the perfect colorwork project for a beginner like me, and would be great for using up leftover yarn from other projects!


Neck

I rarely knit neck accessories, and I’m not sure why that is. But there are two designs I’ve been smitten with for some time now:

Photo by Woolfolk

Photo by Woolfolk

This graphic colorwork cowl by Tina Tse. It’s simple, yet so striking, I love it! I think it would look so good in an indigo dyed blue gradient (but then again, what doesn’t?).

Photo by Denise Bayron

Photo by Denise Bayron

I have also been eyeing Denise Bayron’s Droplet Capelet ever since it came out. It’s such a clever design, so elegant, and I love the fact that it can be worn in a number of different ways. It would look so beautiful in our BFL or Mohair blend, since both these yarns have a natural sheen to them.

Both of these are probably a bit ambitious for gift knitting purposes, at least for me. But they would make such special gifts!


Hands

I have gifted fingerless mitts before, and they were really loved and appreciated, something you definitely hope for in a handmade gift!

Photo by Emily Greene

Photo by Emily Greene

Photo by Woolfolk

Photo by Woolfolk

I’m currently in love with these two, the Anticline by Emily Greene and the Velje by Ainur Berkimbayeva. They’re quite similar, both of them featuring twisted ribbing and diagonal cables that wrap around the hand. I would honestly have a hard time deciding which one to make! I think they would both look beautiful in our new Corriedale/Merino blend in Earth or Fire.

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If you (or the person you’re knitting for) prefer your mittens finger-full, I have my eyes on this pair by Becky Sorensen. They’re so delicate and pretty, and they would look incredible knit in our Corriedale. Knit them in March or April to add color to a winter outfit or choose more neutral tones from our new collection, like Air or Fire!


Feet

Photo by Dawn Henderson

Photo by Dawn Henderson

Ah, here’s where it gets a little tough for me. I love sock knitting in theory but have hated it every time I’ve tried. The Lyne socks by Dawn Henderson might change that! They’re so pretty (can you tell I like twisted rib?), and have a really cute and short cuff, so maybe I won’t get bored as easily. I’ve already put aside a skein of our new Mohair blend in Water for this pair!

Photo by Simone Alexandra

Photo by Simone Alexandra

Photo by Kristin Krogh Drysdale

Photo by Kristin Krogh Drysdale

Slippers also make a great gift, and I have gifted a pair of these before. They’re so easy to make, and you could easily customize them by holding yarn double or adding your own embroidery!

And if you’re much better at colorwork than I am, I think these are exquisite, and I wish someone would knit me a pair as a gift!


Kids

Knitting for kids is so much fun, and sometimes the littlest things bring the most joy to them!

Photo by Hunter Hammersen

Photo by Hunter Hammersen

Photo by Hunter Hammersen

Photo by Hunter Hammersen

As I write this I am rummaging through my scrap yarn stash to start making these peg doll leaves and capes for the kids! They’re just darling, and I already have peg dolls sitting around waiting to be turned into a little fairy family.

Photo by Claire Garland

Photo by Claire Garland

This rabbit by Claire Garland! Really, I wish I had the time (and patience) to make all of her patterns, because they are true works of art.

Photo by Dani Sunshine

Photo by Dani Sunshine

I also love this crown pattern. I’ve made a dozen of these for my kids and as gifts for others, in all kinds of yarns and weights. It’s quick and fun to knit, and perfect for the kids in your life who love to dress up!

Photo by Jenny Gordy

Photo by Jenny Gordy

My kids don’t need any more hats, but I’ve always thought these are super cute, and it would be so adorable if they had matching bonnets. I would probably make a fox version for Alex and a fawn for Anya!

Photo by Churchmouse Yarns and Teas

Photo by Churchmouse Yarns and Teas

Our floors get really cold during the winter months, so these would be extra useful!

Photo by Ysolda

Photo by Ysolda

And I’ve had my eyes on this cardigan since it came out. How cute would it be paired with a fox bonnet?! I’m pretty sure I have lopi in these exact colorways. Plus, the pattern comes in kid and adult sizes, so matching cardigans for the entire family!


We are promised our first snow today, so I’m hoping to snuggle up on the couch with my family, maybe make some hot cocoa, watch a movie, and work through this list. Wishing you a lovely December 1st wherever you are!

December 01, 2019 /Am
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A New Way

November 07, 2019 by Am

After a year long hiatus, we are back and ready to share our beautiful, locally sourced, and botanically dyed yarns with you again!

While it may have seemed like not much was happening at Oysters & Purls over the past year or so, we were rather busy behind the scenes. There’s been some big changes around here. And while I talked about it at length in a recent newsletter, I felt I needed to also share here. So, here it goes!


The need for change…

When I put Oysters and Purls on pause last year, I had a toddler at home with me full time, I was heavily pregnant, and I had just spent months dyeing large quantities of yarn out of my small kitchen in NYC. If you have ever tried your hand at natural dyeing, you know it’s extremely laborious. First you scour, then you mordant the yarn, before you can proceed with the dyeing (and dyeing itself can be a multistep process for certain colors) and drying. In between each of these steps you also have to thoroughly rinse the yarn, all the while making sure not to damage/felt it. When dyeing more than one or two skeins, you are dealing with heavy pots and hours standing at the sink. When doing all of this from your home kitchen, where you also have to prepare three meals a day for your family, it means cleaning before and after every step of the process (cleaning after cooking, so nothing food related gets on the yarn, and cleaning after the yarn, so no dye substances get on the food).

To say that I was exhausted would be a gross understatement.

With the impending arrival of baby #2, and with my attention diverted fully to my family, Oysters and Purls took a backseat. As I navigated through this self-inflicted maternity leave, it dawned on me that in order for this business to survive and thrive, it had to evolve. In other words, I had to accept the hard truth that my business model had failed me. And, as sad as I am to admit it, I had to let go of dyeing.

This, of course, left me with a tough question. How do you run a botanically hand dyed yarn business without dyeing yarn? Over the course of the year that followed, I went back to the drawing board many times. It took months of soul searching, as many months of research, trials and errors, and many moments of despair. But, it all paid off in the end, because I found exactly what I was looking for.

I found a dye house! A natural dye house!

A few short emails back and forth, a box of undyed yarn that quickly turned into botanically dyed shades of my dreams, me taking too long to pick only a handful from this rainbow of perfection... and, there it was, our Fall 2019 collection was born!

An entire year in the making, and we have a gorgeous lineup of colorways that I am absolutely in love with!

Fall 2019

So, what does this mean for Oysters and Purls?

Now that I have revealed the big news, let’s talk about what this really means for us and for you.

Our goal at Oysters and Purls has always been to make beautiful, ethically sourced, minimally processed, and botanically dyed yarns, and we are still very much guided by these same principles. Our search for local yarns has been long, and there have been many ups and downs along the way, but we are so happy and so proud to be where we are today!

All our yarns continue to be sourced locally, and spun for us by our friends at Battenkill Fibers. Mary Jeane and her team work closely with small farms within the Hudson Valley to bring us some of the best the US has to offer!

Working with small farms and a relatively small mill helps us build relationships that wouldn’t be possible otherwise. With the ability to make yarn alongside like-minded individuals, we are able to create a community where we support each other without compromising the livelihood of the animals or that of our planet.

Keeping production local also continues to be important to us. It helps support the local economy, and, by keeping transportation to a minimum, it ensures our greenhouse gas emissions remain as low as possible. This is why it was vital for us to keep the dyeing process within close proximity as well, perhaps another reason we were so thrilled to find Green Matters Natural Dye Company! Located in Lancaster County, Pennsylvania, it is only a short drive from NYC, assuring all stages of yarn production remain within a close radius!

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There are also some additional benefits of having our yarn dyed by a dye house. Equipped with kettles and dye machines that can hold anywhere from 15lbs up to 100lbs of yarn in one dye lot, they can dye up to 450 skeins of yarn at once (they still have to scour and mordant before dyeing, but every step of the process is more efficient). In comparison, my dye pots at home can hold 4-5 skeins each. What this really means is that we can now make larger quantities of yarn faster and with higher consistency in color. Additionally, by using fewer pots, and reusing leftover dye pots to achieve lighter colorways, we are able to cut down our water and energy usage.

In short, more yarn, better color consistency, while still holding true to our core values and our promise to you!


Does this mean I will never dye yarn again?

On the contrary, I am very much hoping that by outsourcing the dyeing process of our yarns, I will have more time to continue my own experimentations with plant dyes. Creating color from nature is unlike anything else, and I miss it tremendously. I’m hoping to get back to my dye pots soon, and, who knows, maybe release small batches of yarn dyed from my own kitchen!


November 07, 2019 /Am
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Bressay

Colorwork Sweater Fever

March 07, 2018 by Am

Not sure exactly when my obsession began, but somewhere on the way I decided I was going to knit a lopapeysa before traveling to Iceland this spring. Thankfully, I have since retired the idea. Or rather, changed it slightly. Instead of knitting it for Iceland, I’m going to knit this lopapeysa with yarn acquired in Iceland. It will be more special that way!

That decision was, of course, followed by hours and hours of staring at pretty yokes on Ravelry. After all, I’d like to travel to Iceland with a plan, so I can buy yarn accordingly. There are so many beautiful yoke sweaters out there, both traditional and modern. Add to the mix all the different color possibilities, and options are endless!


I have managed to narrow down my favorites to these six!

Tensho.jpg
Lighthouse.jpg
whinfell.jpg
Telja.jpg
Riddari.jpeg
Afmaeli.jpg

Top Left: Tensho pullover by Beatrice Perron Dahlen

Top Middle: Lighthouse pullover by Carrie Bostick Hoge

Top Right: Whinfell by Jennifer Steingass

Bottom Left: Telja by Jennifer Steingass

Bottom Middle: Riddari by Védís Jónsdóttir

Bottom Right: Afmaeli by Védís Jónsdóttir

I was hoping perhaps you could help me pick! Which one's your favorite? Or perhaps you have another that you're in love with? 


Other colorwork sweaters I’m in love with at the moment...

Stalactite.jpg
Branches and Buds.jpg
Boulogne.jpg
Birch.jpg

First: Stalactite by Camille Rosselle

Second: Branches and Buds pullover by Carrie Bostick Hoge

Third: Boulogne sweater by Orlane Sucche

Fourth: Birch by Pam Allen

Plus, all the colorwork sweaters (and everything else too) designed by Marie Wallin!


You see why I'm having a hard time deciding?

March 07, 2018 /Am
2 Comments
melissa

Struggles Of A Maker

May 15, 2017 by Am

I have been enjoying and really admiring all the Me-Made-May selfies popping up on my Instagram lately. It is inspiring and reassuring to know that that could be me someday, not too far in the future.

I love the idea of a me-made wardrobe! I often romanticize about that simple dress, the one that I’m gonna sew for myself with organic linen that I will hand dye using avocado pits or something. Oh and that oversized cardigan I will knit in nice, rustic, all natural wool. Knowing I made it by hand. Having control over the fabric. Knowing it is traceable and sustainable. Having the peace of mind that no harm was done to the environment or to anyone in the process of dressing myself. I couldn’t be more on board with this, and so I dream of a closet full of handmades!

And then the guilt creeps in, every single time.

Because there was a time, not long ago, when I was a different person entirely. One who didn’t ask too many questions and didn’t care where her clothes came from or who made them and how.

Dolmama

To give you better insight, my parents have co-owned several clothing stores for years now. The stores range from your everyday apparel to high fashion brands. And what this has really meant for me, and why I’m even mentioning it, is that I have, for years, “shopped” at these stores for “free”. Why quotation marks? Because I’m not sure you can call walking into a store, grabbing bags full of clothes and taking them home shopping. I used to bring back an entire suitcase full of new clothes, shoes and handbags every single time I visited my family in Armenia.

Shameful, I know.

As a result, I own more outfits and pairs of shoes than I can ever hope to wear, and I haven’t used a single one of my handbags since my daughter was born. (A backpack full of diapers and wipes is how I roll these days.)

It’s true that I have put an end to this kind of behavior ever since stumbling upon Slow Fashion October. Much more conscious of my consumerism, I have since stopped buying things for myself, and I’ve been clearing out my closet instead. Somehow I still have a full closet, only about 10% of which I wear on a day to day basis.

So, you see, my struggle with a me-made wardrobe is this: how can I justify making myself new clothes, when my closet is overflowing already? Why would I get rid of stuff, only to add more stuff? If we are advocating for me-made with the purpose of reducing waste, ensuring sustainability and safe practices, then, surely, I shouldn’t rush to throw away what I own, regardless of its source, simply so I can say I made my own clothes.

Of course, on the reverse side, I feel like a fake, advocating for all this without a single thing to show for it.

lovenholm

These struggles and dilemmas aren’t often a problem when it comes to sewing my own clothes. Since I’m such a novice at this craft, I don’t feel the urge to make a new piece of clothing all day long. Knitting, however, is an entirely different story. Knitting is my real passion. But because of all these moral arguments with myself, I haven’t knit a single thing in over three weeks now. Yes, three whole entire weeks without knitting. I’m having a really hard time here. I love the process of knitting, and it makes my hands itch not having at least one project on the needles at any given time. But, after a year of too many spontaneous cast-on’s and more frogged projects than finished objects, I made a decision to be more mindful and intentional with my making. In other words, I decided not to start projects that looked cool or that would be fun to knit, but instead to make things I would actually wear and use.

I felt really good about this decision, excited even! I spent a few days on Ravelry, made several boards, and favorited hundreds of projects.

That was two weeks ago, and I still haven’t cast on. It could be that I really don’t “need” anything to add to my already large wardrobe. Or maybe it’s because my yarn stash is comprised of random fun looking skeins, no two of which are the same. And let’s be honest, I can’t use this excuse to go out and buy more yarn.

stash

So, what do I do, friends? Do I cast on projects just to use up my stash? Do I de-stash by selling all the one-off skeins I own? Do I just suck it up and knit for the fun of knitting, and forget all about mindfullness? Is that even a word? Do you see the chaos that is the current state of my brain?

And so I sit here daydreaming of that linen dress and that oversized cardigan instead...

May 15, 2017 /Am
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the forager

New Collection - The Forager!

May 12, 2017 by Am

I’m so excited to announce that our latest collection, The Forager, is now live!

Featuring three new colorways, The Forager showcases our Aran weight only. Without further ado, meet Maple, Seaweed, and Ginkgo!

maple
seaweed
ginkgo
Picture taken from Pinterest, photographer unknown.

Picture taken from Pinterest, photographer unknown.

Picture taken from Pinterest, photographer unknown.

Picture taken from Pinterest, photographer unknown.

Picture taken from Pinterest, photographer unknown.

Picture taken from Pinterest, photographer unknown.

As you may have guessed, these colorways were inspired by leaves. To be more precise, this entire collection was inspired by our latest collaboration. But I’ll talk about that another time.

When I think leaves, three colors come to mind; green, yellow, and red. I wanted all the colorways for this collection to be semisolid, with subtle variegation in color, like leaves in transition from one season to the next. 

You are absolutely right in saying that seaweed isn’t a leaf. It’s not. When dyeing this colorway, I had a clear vision: it was going to be a lush green! Alas, green is one of the harder colors to achieve with natural dyeing, and my vision didn’t quite come to life. What did come out of my dye pots, however, is so much prettier! Seaweed is a beautiful mix of greens, blues and yellows. It was the result of dipping the yarn in a dye bath of pines, eucalyptus, and turmeric, then overdyeing with indigo. And the name jumped at me as soon as I saw it!

seaweed hanks

Maple and Ginkgo both turned out exactly as I pictured them, both named after leaves they remind me of.

maple hanks

Maple was dyed using madder root and quebracho rojo (a dyeing extract that comes from a hardwood found primarily in Argentina), rendering it the color variations from soft pinks to bright rich reds. I am besotted with this colorway!

ginkgo hanks

And Ginkgo is a result of a dye bath where I combined some leftover eucalyptus from our Thanksgiving decorations, pines from our Christmas tree that I had saved, and some turmeric. The colors range from calm yellows to bright yellows and even oranges. I feel warm just looking at this colorway!

I hope you love these new colorways as much as I do!


Why only Aran?

If you're not a huge fan of working with heavy weights, not to worry. We have been hard at work!

It's true, our Aran is fun to work with. But we know how much you love our finer weight yarns (our DK might be my absolute favorite, but don’t tell the other two)! So we’ve been busy dyeing up a storm, ready to launch another collection next week. This one will be full of DK and Fingering weights dyed up in a bunch of lovely new (and summery) colorways! There might even be some mini skein sets for the first time ever.

So, get ready for another collection launch!

May 12, 2017 /Am
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cameron highlands

Meet Susanne of Wooly Ventures!

April 10, 2017 by Am

Happy Monday everyone! Spring has finally sprung here in NYC, and I couldn't be more thrilled!

Today, I am super excited to share with you all an interview with my friend Susanne: knitter, hiker, traveller and blogger extraordinaire! I have talked about her and her blog Wooly Ventures before, but now you get to hear from Susanne herself!


1. Tell me a little bit about yourself and how Wooly Ventures came to be.

The idea for Wooly Ventures came to me back in the summer of 2015. At that time, I had been seriously knitting for a couple of years and was going out every other weekend or so to hike in the Canadian Rockies. Knitting and hiking were two of my favorite activities, and I wanted to find a way to combine these two passions. So I decided to start a blog. It was the perfect way for me to escape from my desk job and explore my more ‘creative’ side. Not only that, but it gave me an excuse to write for the sake of writing. Writing is something that I have enjoyed for as long as I can remember, but I never managed to write for myself on a regular basis. Having a blog gave me a reason to write. It was a win-win situation!

Susanne

2. When and how did you learn to knit?

When I was younger, I loved making crafts! When I was around 10 years old, I had a little stand set up where I could sell all my handmade crafts (mainly hemp and friendship bracelets and little beaded animals)! I think I learned the basics of knitting and crochet when I was around 8, but other than knitting a simple scarf, I didn’t get very far with either of those. I went to university for engineering, where I mostly just studied, trying desperately to pass all my courses, and couldn’t devote any spare time at all to any sort of ‘crafting’. It was hard. I felt like I was doing nothing but using my rational, logical side of the brain and depleting my other more creative, intuitive side.

mitts

Once I had completed my degree, I had a lot of free time while searching for a job. My grandmother had been an avid knitter and crafter. One day, I found myself going through my grandmother’s old knitting books, and I decided to take up knitting again. This time around, I taught myself more and more techniques and knit my first sock! I knew nothing about gauge, so it turned out way too tight and couldn’t even be worn, but I was fascinated by the construction process. It just felt so good to say ‘I made that’ (even if it was an unwearable sock). Since then, I’ve never stopped learning. I think that’s one of my favorite things about knitting. There are just so many beautiful techniques and patterns to try!


3. What prompted you to quit your job and go on a backpacking trip?

Both Wooly Ventures and quitting my job happened at around the same time, so their history is a bit intertwined. The primary reason I quit my job was because I have always loved travel, and initially planned on finishing my degree by taking a year off to see the world. That didn’t exactly happen when I finished my degree broke and with a huge student loan. I worked for two years at an engineering firm in Calgary to pay it off, where I met some great people who are a big part of what led me to develop my passion for hiking and the outdoors.

highest point annapurna nepal.JPG

After two years at the firm, I was at a crossroads. I had amazing friends, a fun and active lifestyle, and a decent job, but at the same time I was unfulfilled. This may sound cliché, but I knew that the more ‘comfortable’ I got in my every day routine, the harder it would be for me to pull away from it. The next steps would be buying a house, and after that, my year of travel would be harder and harder to reach.

In December of 2015, I decided to take the leap and quit my job. It was a huge step for me, but I knew I would always regret it if I never took that year off to travel around the world. I also wanted to use my year off to experiment with Wooly Ventures, and see how it would feel to blog on a more regular basis. I loved it! Even now, after going back to work full-time, I still try to blog as much I can fit into my schedule.


4. Did you seek out a knitting community in the places you visited and/or did you meet any local fiber artists?

Yes! In many of the places I visited, it wasn’t easy to find a knitting community (understandably so, due to the hot temperatures in Southeast Asia). However, in New Zealand, I managed to contact a fellow knitting blogger I had discovered online. She took me out wool shopping and showed me around her city! I think that was when I first realized just how much I could use my blog to connect with and meet other people from around the world.

Side note: Her blog is www.woolventures.com - no, that’s not a typo! Part of the reason we met was because I discovered her after realizing our blog names were so similar! And because I really admired her gorgeous knitting photos and great writing style.

hats

I was in Penang, Malaysia, for World Wide Knit in Public Day (WWKIP). It didn’t seem as if there would be any events happening where I was staying, so I decided to create one! I had one participant show up, an expat from the United States working as a teacher in Penang. I never would have guessed that I would be spending my WWKIP knitting in a café in Malaysia, but we had such a great time!


5. I always find I pack too many knitting projects on my travels, I can’t imagine having to do it when traveling with just a backpack. How does one pack and prepare for knitting when embarking on a backpacking trip?

At the start of my trip, I decided to pack a minimal amount of knitting projects with me, as I knew that I wanted knitting shopping to be part of my itinerary! So I just brought an unfinished sock and a few skeins of Drops Alpaca wool.

brioche

Luckily for me, I started off in New Zealand, which is truly a knitter’s paradise! New Zealand is well known for their possum merino wool. Brushtail possum are an invasive species and are considered by most New Zealanders to be a ‘pest’, as they destroy much of the native floral and fauna, and compete with New Zealand’s prized kiwi bird. Although for those concerned about animal welfare, it can be a bit disheartening to learn about the numerous ways that possums are killed. Let’s just say, it’s not always done humanely. In New Zealand, I put a blind eye to this and bought about 10 skeins of possum merino, intended for use as the Askews Me Shawl pattern, but that ended up turning into my Brioche Scarf. That scarf kept me busy well into Malaysia (several months later), where luckily for me at that point, I found out about the Cotton House Store. I ended up buying way too much wool there, and afterwards over half of my backpack was filled with just wool!

I think my best advice for those of you planning a trip of your own is to incorporate knitting stores into your travels, if possible. Also, don’t make the same mistake I did at the Cotton House Store, and plan out your projects before making any purchases!

If you know that there won’t be any knitting shops in the area you’re traveling to, bring something easy and portable that you can knit! Socks are a great option, because they’re small and easy to stuff in your backpack! My scarf was great, because it was such a mindless knit so I could work on it anywhere, although it did end up getting to be way too hot while I was working away at it on a beach in Malaysia!


6. If you could go back to one place of the many you travelled to, which would it be and why?

The thing about traveling is, the more you travel, the more you realize just how much of the world you haven’t seen. Although I managed to travel to nine countries in eleven months, I would go back to every single one of those nine countries just because I feel I only got a ‘glimpse’ of what they had to offer in the short time I was there. There’s no way that you can get a good understanding of a culture by just visiting a country for a few weeks. And for me, my favorite part of traveling is learning of the tiny intricacies that make up a culture. Part of that is the language. But another part are mannerisms, habits, and ways of looking at the world that to us, seem so foreign. But, if I had to choose just one of the countries I visited, I think I would say Indonesia.

indonesia

Why Indonesia

Initially, I chose to travel to the island of Bali, in Indonesia, because I knew I would be traveling there alone. I wanted to start out in a place that was fairly ‘on the beaten path’, where I would be able to meet other backpackers. Those first few weeks, I thought I had come to the wrong place. Every person I met seemed to be European, in their early 20’s, just finished high school, and wanting to party. I guess that fits the ‘stereotypical backpacker’ mold quite well, but at that time I was more interested in getting to know the people and culture of the country rather than just spending the whole day on a beach and the whole night partying. I passed through a bout of homesickness, but by chance heard about this amazing mountain called Rinjani. I spent three of the most incredible days of my life hiking up a volcano, and it immediately turned my trip around. Afterwards, I learned that Indonesia is home to some of the most beautiful and incredible hikes in the world. Now, I want to return, not so much to the island of Bali, but to explore the rest of Indonesia, which is one of the most stunningly beautiful countries I have ever been to.

Another country that I would love to go back to is New Zealand!

nz

Why New Zealand

As I mentioned before, it’s a knitter’s (and hiker’s) paradise. Driving along the windy roads I passed countless sheep farms. I would love to get the chance to try out WWOOFing (Willing Workers on Organic Farms) on a sheep farm to get some firsthand experience with that type of work.

I also loved that New Zealand felt so safe to travel in. Even hitchhiking was considered ‘relatively’ safe! Not something that I would try alone, but something that I felt comfortable doing with my significant other. The people were the other part of the equation that made my time in New Zealand feel so fulfilling and magical. We stayed at a gorgeous ‘glamping’ site in Northern New Zealand where we worked, feeding the donkeys and hens, tending to the garden, and weeding and pruning the trails. On our time off, we could go for a swim on the property’s private beach, go kayaking, and listen to the call of the kiwi bird at night. It was incredible.


7. What did you miss most about home (Canada) when you first left for your trip, and what do you miss most about your year away now that you’re back?

When I first left for my trip, I really missed my friends and family. Especially when I was having a harder time meeting people I ‘clicked’ with. But I guess that’s an obvious one.

Besides friends and family, I missed having a routine, a schedule that I could stick to. Although on the one hand I loved the freedom of being able to take off from a place whenever I felt like it, I also found it extremely hard to stay consistent with my blog when doing so. Some of my favorite memories from my trip were the times when I allowed myself to stay longer in one place. Perhaps not surprisingly, those were also the times I was able to get the most work done on my blog. I liked the feeling of going back to the same coffee shop enough times that the shop owner would actually recognize me and say hi, and that I wasn’t just ‘another tourist’.

Now that I’m back home, I am grateful to have my routine back. Although sometimes, too much routine isn’t always a great thing either. I think the thing I miss most from my travels is the feeling of freedom that I mentioned previously. I loved making my own plans, and deciding how my day would go, especially when I was traveling on my own. I know that my trip would have turned out entirely different had I been with another person for the whole duration, and I’m so thankful that I got to have my ‘me-time’. I could sleep in if I wanted to, spend the day at a café blogging if I felt like it, be a private tutor in Thailand for a few weeks, take a 10-day silent meditation course, and learn how to weave in Laos. Many of these things wouldn’t have been possible if I had been traveling with someone else.

Side story:

At the end of my 10-day silent meditation in Nepal, I remember a conversation I had with one of the Nepali women who had also taken the course.

“For many of these women (Nepali) taking the course, they aren’t taking it for the meditation. They are taking it because it is the only time in their life they get a chance to be on their own. To be independent.”

I imagined how many of them marry much earlier than we would in North America. As soon as they are married, they move in with their in-laws. Then, their lives often revolve around taking care of domestic duties in the house: cooking, cleaning, raising their children. They aren’t permitted a moment of peace, like we might be accustomed to here. Never mind how much I enjoyed the 10 days of silence, how good those 10 days of silence must feel to them!


8. I love your curated posts about the top knitting patterns and/or fiber artists. Tell me a little about the inspiration and process behind them.

I find myself constantly inspired while scrolling through my Instagram feed by what other makers are doing and creating and love to share what I find with others! Pinterest and Bloglovin’ are two other places that I can spend a lot of time (sometimes maybe too much), discovering the inspiring crafters and makers that are out there! When I find something particularly inspiring, I see if it fits into a theme (i.e. cables, shawls, etc.). After that, I continue to add things I enjoy that fit into that same theme, and make it into a list. Soon enough, I’m overflowing with inspiring creations, and I compile them into a blog post!


9. What is your favorite fiber to work with and why?

I love working with alpaca, mainly due to its softness and luxuriousness! But generally, I love working with all natural fibers and experimenting with new ones. I would love to try cashmere, yak, angora, qiviut! I managed to pick up some yak wool in Nepal, but it doesn’t feel at all like the yak you find in the yarn stores. It’s much more like a rough sheep wool than a soft down fiber. Most likely, the yak wool that I purchased came from the outer coat of the animal, and not the finer down wool that gets exported to international markets. I’m always curious about how fibers are processed and how it affects the ultimate feel of the yarn.

yak

10. Are you working on anything exciting for Wooly Ventures that you would like to share with us (blog posts, travel plans, knitting patterns…)?

Yes! I constantly get bombarded with new ideas of projects that I want to start on the blog (that’s part of the fun). Here is just a sample…

  • The Fiber Exchange

As I mentioned above, I love learning and researching about the properties of different fiber types. I started a series called, “the fiber exchange” last year, and I want to continue adding to this series by researching the fiber types of more exotic animals such as Angora, Qiviut, Camel, etc!

  • Hiking on Vancouver Island

On the travel side of things, I am currently working full-time in engineering, so my long-term travel plans have been put on hold. However, I love being back in Canada for its beautiful outdoors and especially love being able to live on Vancouver Island. This summer, my goal is to explore more of the rugged, wild side of Vancouver Island. I want to take advantage of the many backpacking trails it offers and share some of the lesser known hikes with my readers!

  • Knitwear Design

I am currently working on two hat patterns that I hope to release by the end of May! You can follow me on Instagram, to find out about the inner workings of my design process (i.e. lots of frogging! ;) ).

  • Business Tools for Fiber Biz Owners

I am also in the beginning stages of creating a set of tools to help fellow fiber business owners grow their business. Starting a business is overwhelming, and there are so many different aspects you need to think about. I want to streamline and simplify this process for fiber artists who are just starting out, and show them how they can increase their sales through social media, blogging and their mailing list.

  • Guest Posts, Interviews, and more

Lastly, I am working on collaborating more with fellow bloggers and fiber artists! If you have any ideas for something that we could work on together, I would love to hear about it. Feel free to reach out to me at hello@woolyventures.com.


Thank you for sharing all your amazing experiences with us, Su! After I read your responses, all I wanted to do was pack up my bags with all the knitting projects and head out on an adventure. But, for now, I will have to live vicariously through you! 

April 10, 2017 /Am
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Spring Cleaning

New Collection - Spring Cleaning!

April 06, 2017 by Am

One more sleep before the new collection is launched, and I couldn’t be more excited!

Why Spring Cleaning?

The inspiration behind this collection is perhaps not as romantic as the previous one, but that’s not to say it doesn’t come with a purpose!

We had a week of perfect spring weather after Anya and I returned back from Cyprus, and then it was back to winter again. The thing about winter in the city is that it never stays pretty for very long. Snow usually turns into slush, puddles at every street crossing, and icy sidewalks. Being cooped up in a tiny NYC apartment, after enjoying a month of beautiful weather in Cyprus, was a tough adjustment. All of a sudden I felt claustrophobic in my own home, and all I wanted to do was clean and make room for a fresh new start.

This desire to clean may have seeped through my work as well. Part of the reason I love natural dyeing is that I get to waste less by using things I would’ve otherwise thrown away. When I was getting ready to dye this collection, I had a freezer full of avocado pits, onion skins, citrus peel and more, some leftover from as far back as Thanksgiving. Additionally, because nothing should go to waste, I also had various dye baths kept from previous experiments. So, in my cleaning frenzy, I made a decision to dye an entire collection using only things I had at home, and to do some spring cleaning in the process!

And, because natural dyeing is pure magic, the resulting array of colors is the most perfect way to welcome spring. Hence the name Spring Cleaning!

pomegranate skins

Dye Stuff

As with all of our yarns, each skein is hand dyed using only natural extracts and/or plants. Here’s a list of the ingredients used to dye this collection:

  • Water

  • Aluminum sulfate (for mordanting)

  • Iron powder

  • Quebracho rojo

  • Logwood

  • Onion skins (both yellow and red)

  • Avocado skins and pits

  • Pomegranates

  • Citrus peel (oranges, mandarins, lemons…)

  • Eucalyptus

Due to the nature of these ingredients (season, where they came from, etc), most of the new colorways won’t be repeatable, at least not exactly. So, if you like something, you should snag it before someone else does!

Spring cleaning sprawled

The shop update is scheduled for Friday, April 7th, at 1pm EDT. See you there, friends!

April 06, 2017 /Am
2 Comments

Shop is now LIVE!

March 03, 2017 by Am

The shop features our Cyprus Collection, with eight different colorway and base combinations. 

Shop Now

These lovely skeins were all botanically hand dyed during my recent trip to Cyprus, where my daughter and I were visiting family. The colors were inspired by the natural landscapes, the sea, and, of course, by the abundance of dye plants that always surrounded us (eucalyptus, hibiscus, bougainvillea, citrus, etc). 

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I have been drawn to earthy tones for a while now, and this collection is really reflective of that. I am in love with how each colorway turned out, and I honestly don’t know how I will part with these beauties.

Some of the showcased yarns in this collection may well end up being repeatable colorways (it’s really up to you!), but a few of them were dyed using foraged plants, and, therefore, will be available in this shop update only.

If you would like to learn more about our yarns and the natural dyeing process, read here and here.

Also, don’t forget that there’s currently a giveaway on our Instagram page. One lucky winner will get a skein of our yarn in the DK weight and a copy of our brand new hat pattern, The Adrian. So, go check it out, and enter to be in the draw!

Thank you for all your love, encouragement and support! I couldn’t have done this without you.

Love, 
Am xxx

March 03, 2017 /Am
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